Search results for '삼성에스디에스유상증자♪WWW༚S77༚KR♪ᾈ삼성에스디에스전망㔺삼성에스디에스전환사채瀖삼성에스디에스주가挗💅pontifex'
Sorry your search for "삼성에스디에스유상증자♪WWW༚S77༚KR♪ᾈ삼성에스디에스전망㔺삼성에스디에스전환사채瀖삼성에스디에스주가挗💅pontifex" did not turn up any results. Please try again.
- About
- Conference
- (2020) Striking Back at Empire: Politicizing Media Genres
- (2019) Limits of Cinema / Cinema Limited?
- (2018) No More Room in Hell: A Half-Century of Undead Media
- (2017) Action!: Performance, Sport, and Moving Bodies in Film and Visual Media
- (2016) Family Ties: Kinship, Collaboration, and Power in Film and Media
- (2015) Screening Politics: Affect, Identity, and Uprising
- (2014) Screen Textures: Haptics, Tactility, and the Moving Image
- (2013) Second Chances, Final Glances: Media Afterlives
- (2012) Cinephilia/Cinephobia: New Mediations of Desire and Disgust
- (2011) Battlegrounds: Sites and Sights of Conflict
- (2010) Thinking Inside the Box: Encounters, Clashes & Strange Symbioses of Art and Industry
- Cinematheque
- Film and Media Studies
- ExtraExtra
- Log-in
-
Recent Articles
- Striking Back at Empire: Politicizing Media Genres
- Limits of Cinema / Cinema Limited?
- No More Room in Hell: A Half-Century of Undead Media
- Action!: Performance, Sport, and Moving Bodies in Film and Visual Media
- Reflecting on “Screening Politics”
- Fall 2015 Cinematheque: Now In Theaters
- Queer Transpositions: Censorship and Desire in Andy Warhol’s 13 Most Wanted Men
- Beautiful Views, or The Wind in the Trees
- On Montage and Ideology in Alexander Kluge’s Nachrichten aus der ideologischen Antike
- “Nowhere Space:” Sonic Materiality and Sites of Reading
